During the 1920s, 30s, and 40's, jazz (notably swing) was the music of young people. However, during the 1950s, rock and roll began to steel away America's youth, and by the 1960s, jazz was associated with its current connotation: "the music my parents and grandparents listen to". Though, there have been many musicians who have attempted to bring jazz back to a younger audience. Most notable of these musicians was Esbjörn Svensson, whom with his trio, composed music that helped restore jazz back to its original glory. However, it was with great sadness that Svensson tragically passed away back in 2008. Fortunately, there have been musicians who have been picking up where he left off, and one of these musicians is currently making a name for himself on the Canadian jazz scene. Nova Scotia native, Jeff Torbert, has received much acclaim for combining his intensive classical and jazz training with easy going compositions. Following his release of multiple award nominee "This Weather Honest", Torbert has done it again with "Urban Poultry & Other Hopes". The album features his sextet, whom include Torbert on the guitars, piano, and vocals; David Christenson on the bass clarinet and alto saxophone; Adam fine on the bass; Lloyd Quinton on the drums; Matt Myer on the trumpet and organ; and Kenny Talkowski on the alto and soprano saxophones. The record is characterized by relaxing grooves, instrumental pop ballads, spectacular improvisations, and a some beautifully added vocals here and there. Some songs to note on the album are "Last Bastion of No Hope", "Public Affection Number One", and "Indra's Net (Afterward)". In addition, "Urban Poultry & Other Hopes" is a fantastic sophomore release. It is definitely an unfortunate thing that jazz these days has the connotation that it has. However, thanks to musicians like Jeff Torbert, jazz is being seen in a whole knew light. So perhaps, jazz will soon have a new connotation in the future. That is, "the music everyone listens to".